Current Exhibition: Daren Thomas Magee / March 5 - April 15, 2026
Artist Bio:
Daren Thomas Magee is an artist, illustrator, and writer living and working in Ojai, California. His work explores the tension between cynicism and hope, often pairing blunt honesty with moments of humor, tenderness, and self reflection. Through paintings, books, objects, and digital media, Magee creates work that invites viewers to slow down, question their assumptions, and reconnect with what actually matters.
Before fully committing to life as a working artist, Magee followed a winding creative path shaped by curiosity, experimentation, and a refusal to separate art from everyday life. What began as personal creative exploration gradually evolved into a multifaceted practice and independent brand, allowing him to build a sustainable career outside traditional art world structures. His work has expanded from illustration into publishing, product design, writing, and community driven creative projects, all rooted in the same direct, conversational voice.
Based in the quiet landscape of Ojai, Magee’s practice balances disciplined creation with an openness to uncertainty. His work often reflects themes of self responsibility, presence, and the absurdity of being human, expressed through simple visual language and emotionally honest text. Whether working on a painting, a book, or a new experiment, his focus remains the same: making art that feels real, useful, and deeply personal while still leaving space for humor and contradiction.
Artist Statement:
Blaise Pascal wrote that much of human suffering comes from our inability to sit quietly alone in a room. That idea sits at the center of this work.
The installation holds two opposing states. One is restless, crowded, familiar. The other is stripped down, quiet, and intentionally sparse. Neither is presented as right or wrong. They simply reflect the tension between distraction and presence, between filling space and inhabiting it.
I’m interested in the small ways we avoid ourselves. The habits that feel harmless. The comforts that slowly become noise. The work asks where attention goes when silence becomes uncomfortable, and what we might find if we stopped reaching for something to fill it.
This isn’t about escaping modern life or romanticizing stillness. It’s about noticing the pull in both directions, and recognizing how hard it is to just be.